It's Counterpart (excerpt from the album's artwork ... well, potentially)
Daniel Majer & Jonathan Scherk hail from the post-rock and experimental scene in Vancouver - their album 'It's Counterpart' will be released in Winter 2019 on faitiche.
"Ich_ähm Swallow Inhale Swallow Swallow Exhale Inhale ääh w w Swallow Inhale Swallow Swallow Exhale Inhale Ähmm_m Äh_t Inhale nnnh Ähm, Inhale Inhale Hm k ääh ä_w_nnh Inhale Inhale ä_w_nnh t Ja. Inhale Exhale Swallow Inhale Inhale Swallow Ha Ämm äm hn ä ä. nwä Äh. ähm Exhale Inhale ä Swallow Exhale Inhale Swallow Äh Exhale Swallow ä Ä" (Zwischen, 2017)
"Friedericke Mayröcker, when you write - do you feel like the creator of the work or more like a medium?"
Jan Jelinek: Zwischen/Live (excerpt), 2019
"As porous as this stone is the architecture. Building and action interpenetrate in the courtyards, arcades, and stairways. In everything they preserve the scope to become the theatre of new, unforseen constellations." Walter Benjamin & Asja Lacis, Naples
Naples, old town 2019 / Benjamin Fellman: Walter Benjamins Neapel
Jan Jelinek: shifting out into (Naples 2019)
Tim Tetzner: Why haven’t we seen a Photograph of a Black Hole yet? (1967)
Tim Tetzner about his guest mix 'Earth covers Earth, Wind and Fire': A sound meditation to humankind's most ambigous fantasy, Earth. In 1966, soon after Stewart Brand asked 'Why haven't We Seen A Photograph Of The Whole Earth Yet?', NASA presented a perfect beautiful first image of Earth taken from space by its ATS-3 satellite. more
Klang für Zwischen/Raum is a sound collage/composition, commissioned by Peter Granser for his installation Zwischen/Raum - on the occasion of Kubus. Sparda-Kunstpreis 2019, March 23rd - June 23rd 2019, at Kunstmuseum Stuttgart. Granser's interdisciplinary installation refers to the traditional Japanese teahouse - the interior space is accessible and contains objects for tea ceremony, utensils for tea preparation & headphones, which play the composition.
idea/concept: Peter Granser, design/realisation: Friederike Daumer & Peter Granser, composition: Jan Jelinek. Supported by a grant from Musikfonds & by DG Galerie München.
Jan Jelinek: Klang für Zwischen/Raum, 2019
faitiche's bimonthly radio show on LYL starts again. All following shows in 2019 will welcome a 30 minutes guest mix. First guest is Dutch artist Michael Raedecker, on air February 22nd, 14:00-15:00. Afterwards as stream & download available.
Michael Raedecker: Instinctions (2002)
ASUNA & Jan Jelinek's album Signals Bulletin brings together joint improvisations and compositions made over a period of three years in Berlin, Kyoto and Kanazawa. ASUNA's meandering organ drones merge with Jelinek's pulsating synthesizer and field recording loops to create dense superclusters that span broad harmonic arcs ...
ASUNA & Jan Jelinek live, Tokyo 2017, Photo by Takehito Goto
ASUNA & Jan Jelinek: Relief, pt.1 (from the album: Signals Bulletin, faitiche18), vinyl release: April 5th 2019
Andrew Pekler: Tristes Tropiques (faitiche14) - a collage of field recordings made in and around Khao Sok National Park, Thailand, January 2016 is available here. (A portion of these recordings can be heard on the album Tristes Tropiques)
Sven-Åke Johansson & Jan Jelinek: puls-plus-puls (Ni-Vu-Ni-Connu) - vinyl just arrived
Jan Jelinek: Loop-Finding-Jazz-Records (faitback01) - vinyl repress is now available again
Gramm: Personal Rock (faitback09) / ASUNA & Jan Jelinek: Signals Bulletin (faitiche18) - official release date: April 5th 2019
Lorna Simpson: Collages (Chronicle Books, 2018)
G.E.S.: Die Planeten (faitiche / archive 2013), previously unreleased
Faitiche is delighted to announce a new release: puls plus puls, Sven-Åke Johansson & Jan Jelinek, LP & DL, recorded live at SYN/CUSSION Festival, Radialsystem Berlin 2017. Art work by Teresa Iten, liner notes by Diedrich Diederichsen - out now on Ni Vu Ni Connu and soon available at the faitiche webshop as well.
"Whether the drummer mimics the machine or the machine mimics the drummer is no longer a question for cultural critique or estrangement theory: rhythmitised assembly on the factory line concerns only a minor part of today’s working world. More important is the animistic core question: Is the subject (drummer) contained in the beat or does he lose himself to the beat? Or does he follow an experimental setup that functions like a composition or a conceptualist experiment, that allows for both, considers both?" D. Diederichsen
Sven-Åke Johansson & Jan Jelinek: puls-plus-puls, part 2 (excerpt), Ni Vu Ni Connu 2018