faitiche's bimonthly radio show on LYL starts again. All following shows in 2019 will welcome a 30 minutes guest mix. First guest is Dutch artist Michael Raedecker, on air February 22nd, 14:00-15:00. Afterwards as stream & download available.
Michael Raedecker: Instinctions (2002)
ASUNA & Jan Jelinek's album Signals Bulletin brings together joint improvisations and compositions made over a period of three years in Berlin, Kyoto and Kanazawa. ASUNA's meandering organ drones merge with Jelinek's pulsating synthesizer and field recording loops to create dense superclusters that span broad harmonic arcs ...
ASUNA & Jan Jelinek live, Tokyo 2017, Photo by Takehito Goto
ASUNA & Jan Jelinek: Relief, pt.1 (from the album: Signals Bulletin, faitiche18), vinyl release: April 5th 2019
Andrew Pekler: Tristes Tropiques (faitiche14) - a collage of field recordings made in and around Khao Sok National Park, Thailand, January 2016 is available here. (A portion of these recordings can be heard on the album Tristes Tropiques)
Sven-Åke Johansson & Jan Jelinek: puls-plus-puls (Ni-Vu-Ni-Connu) - vinyl just arrived
Jan Jelinek: Loop-Finding-Jazz-Records (faitback01) - vinyl repress is now available again
Gramm: Personal Rock (faitback09) / ASUNA & Jan Jelinek: Signals Bulletin (faitiche18) - official release date: April 5th 2019
Lorna Simpson: Collages (Chronicle Books, 2018)
G.E.S.: Die Planeten (faitiche / archive 2013), previously unreleased
Faitiche is delighted to announce a new release: puls plus puls, Sven-Åke Johansson & Jan Jelinek, LP & DL, recorded live at SYN/CUSSION Festival, Radialsystem Berlin 2017. Art work by Teresa Iten, liner notes by Diedrich Diederichsen - out now on Ni Vu Ni Connu and soon available at the faitiche webshop as well.
"Whether the drummer mimics the machine or the machine mimics the drummer is no longer a question for cultural critique or estrangement theory: rhythmitised assembly on the factory line concerns only a minor part of today’s working world. More important is the animistic core question: Is the subject (drummer) contained in the beat or does he lose himself to the beat? Or does he follow an experimental setup that functions like a composition or a conceptualist experiment, that allows for both, considers both?" D. Diederichsen
Sven-Åke Johansson & Jan Jelinek: puls-plus-puls, part 2 (excerpt), Ni Vu Ni Connu 2018