Is the subject (drummer) contained in the beat or does he lose himself to the beat? Or does he follow an experimental setup that functions like a composition or a conceptualist experiment, that allows for both, considers both?
Release: Jan 27th 2019
Jan Jelinek and the Japanese trio Computer Soup (Satoru Hori – trumpet, Osamu Okubo - toys & electronics, Kei Ikeda - toys & electronics) present eight tracks all recorded one afternoon in the trio’s living room in Tokyo.
Release: May 4th 2018